Welcome!

Deadlines to apply

February 7, 2019. You will automatically be considered for a scholarship if you apply before that date and if all of the audition material has been received.

April 4, 2019. Without a scholarship, acceptances according to available places.

Successful applicants will have to pay 50% of the fees within 14 days after the reception of the acceptance letter in order to reserve their place.

The full balance must be paid before May 2, 2019. In case of cancellation, the first payment is non-refundable. The second payment can be reimbursed if the student notifies the Admission Coordinator by e-mail at admissions@orford.mu, at the latest one month (30 days) before the first day of the stay. A $50 administration fee will then be deducted from the amount.

If a medical problem beyond your control prevents you from taking part in the Orford Music Academy, your deposit may be used for the subsequent year when a medical certificate is provided. However, you will have to go through the full audition process and be accepted again. If a scholarship was granted to you, it is not transferable to the following year.

Fees

  • tuition fees;
  • room in double occupancy;
  • meals at the Orford Music cafeteria;
  • access to concerts at the Orford Music Festival, subject to availability of tickets;
  • access to the training room.

Multi-level Rates:

The rate for a one-week stay is $1 020.
The rate for a two-week stay is $970 per week.
For three weeks or more, the rate is $920 per week.

Voice and Piano Duet

Multi-level Rates:

The rate for a one-week stay is $1020.
The rate for a two-week stay is $970 per week.
For three weeks or more, the rate is $920 per week.

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Improvisation 
Baroque Music
How to Reach your Full Potential
How to Win an Audition
How to Stand Out as a Chamber Musician

$920

If you add one week of master class, the rate will be $945.
For a stay of three weeks or more, the rate is $895 per week.

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Piano Trio
Orford Winds
Composition
Contemporary Music

$1840

If you add one or more weeks of master classes:
The rate will be $920 per week.

Sara Davis Buechner

Piano

Boyer College of Music and Dance of the Temple University of Philadelphia


Sara Davis Buechner is one of the leading concert pianists of our time, praised worldwide as a musician of “intelligence, integrity and all-encompassing technical prowess” (New York Times). Japan’s InTune magazine says: “When it comes to clarity, flawless tempo selection, phrasing and precise control of timbre, Buechner has no superior.”

In her twenties, Ms. Buechner was the winner of a bouquet of prizes at the world’s première piano competitions - Queen Elisabeth of Belgium, Leeds, Salzburg, Sydney and Vienna. She won the Gold Medal at the 1984 Gina Bachauer International Piano Competition, and was a Bronze Medalist of the 1986 Tchaïkovsky International Piano Competition in Moscow.

With an active repertoire of more than 100 piano concertos ranging from A (Albeníz) to Z (Zimbalist) - one of the largest of any concert pianist today – she has appeared as soloist with many of the world’s première orchestras. Audiences throughout North America have applauded Ms. Buechner’s recitals in venues such as Carnegie Hall, Lincoln Center, Kennedy Center and the Hollywood Bowl; and she enjoys wide success throughout Asia where she tours annually.

Sara Davis Buechner’s numerous recordings have received prominent critical appraisal. Her extensive discography includes music by Bach, Brahms, Busoni, Dvořák, Mozart, Stravinsky and Turina; Hollywood piano concertos by Bernard Herrmann and Franz Waxman; rare American music of George Gershwin, Dana Suesse, Pauline Alpert and Joseph Lamb; and the complete piano music of Miklós Rózsa. Her piano artistry may also be heard on the recent DVD of Carl Dreiser’s 1925 silent film Master of the House, available through the Criterion Collection.

Sara Davis Buechner is Associate Professor of Piano at the Boyer College of Music and Dance of the Temple University in Philadelphia and formerly served on the piano faculties of New York University, the University of British Columbia, and the Manhattan School of Music. She regularly presents lectures and master classes worldwide, and adjudicates international piano competition. She is a contributing editor for Dover Publications and a Yamaha artist of more than 30 years' standing.

 

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