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Some places are still available.

Contact the admissions for more information.

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Deadlines to apply

February 6, 2017. You will automatically be considered for a scholarship if you apply before that date and if all of the audition material has been received.

April 6, 2017. Without scholarship, acceptances according to available places.

Successful applicants will have to pay 50% of the fees within 14 days after the reception of the acceptance letter in order to reserve their place.

The full balance must be paid before May 4, 2017. In case of cancellation, the first payment is non-refundable. The second payment can be reimbursed if the student notifies the Admission Coordinator by e-mail at admissions@orford.mu, at the latest one month (30 days) before the first day of the stay. A $50 administration fee will then be deducted from the amount.

If a medical problem beyond your control prevents you from taking part in the Orford Music Academy, your deposit may be used for the subsequent year when a medical certificate is provided. However, you will have to go through the full audition process and be accepted again. If a scholarship was granted to you, it is not transferable to the following year.

Fees

  • tuition fees;
  • room in double occupancy;
  • meals at the Orford Music cafeteria;
  • access to concerts at the Orford Music Festival, subject to availability of tickets
  • access to the training room

Multi-level Rates:

The rate for a one-week stay is $995.
The rate for a two-week stay is $945 per week.
For three weeks or more, the rate is $895 per week.

Voice and Piano Duet

Multi-level Rates:

The rate for a one-week stay is $995.
The rate for a two-week stay is $945 per week.
For three weeks or more, the rate is $895 per week.

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Wind octet

$1790

If you add one or more weeks of master classes:
The rate will be $895 per week.

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Trio with piano

$1790

If you add one or more weeks of master classes:
The rate will be $895 per week.

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String Quartet

$1790

If you add one or more weeks of master classes:
The rate will be $895 per week.

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Improvisation and New Music

$895

If you add one week of master class, the rate will be $945.
For a stay of three weeks or more, the rate is $895 per week.

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Orchestral Excerpts

$895

If you add one week of master class, the rate will be $945.
For a stay of three weeks or more, the rate is $895 per week.

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Baroque Music on Modern and Ancient Instruments

$895

If you add one week of master class, the rate will be $945.
For a stay of three weeks or more, the rate is $895 per week.

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Creation

$1790

If you add one or more weeks of master classes:
The rate will be $895 per week.

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Contemporary Music

$1790

If you add one or more weeks of master classes:
The rate will be $895 per week.

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Piano accompanists

The piano accompanists who participate every summer in the Orford Music Academy offer an outstanding professional service, enabling students to focus on their own learning. Their work is recognized and appreciated by the many professors who have worked alongside them over the years.
Sandra-Murray

Sandra Murray

Sandra Murray is currently pursuing a brilliant career as a chamber musician and piano accompanist to several well-known Canadian and foreign artists. She has performed at the ProMusica Series, the Montreal Chamber Music Festival, the Festival international de Lanaudière, the Festival du Domaine Forget, the Rendez-vous musical de Laterrière, the Festival des Basses-Laurentides, at Orford Music and at the Festival of the Sound in Parry Sound.  She is also a piano accompanist at the Orford Music Academy for classes given by Laurence Lesser, Michel Strauss, Jonathan Crow, Richard Aaron and Maurizio Fuks.

Ms. Murray has made two recordings with the piano duo Ouellet-Murray, which include Stravinsky’s The Rite of Spring. She also participated in the first Jerusalem International Chamber Music Festival, working alongside Emmanuel Ax, Yo-Yo Ma, Isaac Stern and Yefim Bronfmann.

Sandra Murray is currently working at the Montreal Music Conservatory as a professor and accompanist.

Claire1

Claire Ouellet

A much respected and sought after pianist, Claire Ouellet plays as a chamber musician as well as a soloist. In Canada, she can be seen performing in the Pro Musica Series, at the Orford Music Festival, Domaine Forget, Sainte-Pértronille de Laterrière and Lanaudière Festival. Soloist with several Canadian orchestras, she has also been invited to play with the Grenada Symphony Orchestra in Spain. She played many concerts in France, Switzerland, Germany and Czechoslovakia.

A member of the piano Ouellet-Murray piano duo, Claire Ouellet has made two recordings (CBC Records) that have been acclaimed by critics internationally. Claire Ouellet has a Doctorate degree in interpretation from the University of Montreal and now works as a teacher-accompanist at the Conservatoire de musique de Montréal.

Mariane-Patenaude

Mariane Patenaude

Mariane Patenaude began her musical training at the age of six at the Vincent d’Indy School of Music (Theresa Brouillette), and continued at the Pierre-Laporte High School (Charlotte Dumas) and the Conservatory of Music and Dramatic Art (CMDA) (Raoul Sosa).

Recipient of numerous grants, winner of several competitions and prices such as the Prix d’Europe and the special prize of the Canadian Music Centre, Mariane Patenaude is highly appreciated by both instrumentalists and singers since she left the CMDA in 1996. She improved her skills later with Francis Dubé and Monique Deschaussées. Passionate about voice, Mariane Patenaude studied singing with Pierre Mollet and France Dion and works currently with Gabrielle Lavigne.

Her activities have brought her in various provinces in Canada, the United States and Europe. Since fall 2012, Mariane is a pianist and professor at the Conservatory of Music and Drama of Montreal. She is also a pianist accompanist at Orford Music Academy, McGill University and University of Montreal, a musical and artistic director for the ensemble Voix d’Elles, in addition to being a member of the trio Polymnie and Orford Six Pianos.

Mariane Patenaude has participated in several radio, television and disc recordings with labels Atma, Analekta, SNE, Richelieu and XXI.

Francis-Perron

Francis Perron

Experienced chamber musician, accompanist and vocal coach Francis Perron is a sought-after partner. This experience led him to close collaborations with, among others, the Montreal Symphony Orchestra, the Nouvel Ensemble Moderne, the Quebec Symphony Orchestra, the Vienna Chamber Opera, conservatories of Vienna and Zurich Winterthur, ARD Musik Wettbewerb, the Salzburg Summer Academy, University of Freiburg, the International Violin Competition of Avignon, the International Fritz Kreisler Violin Competition in Vienna, the Festival de Royaumont, the Montreal International Musical Competition, Vancouver International Song Institute, the Canadian Vocal Arts Institute and Orford Music. In May 2013, he was awarded for best voice-piano duo of the Positively Poulenc Competition in New York.

Founding member of the Orford Six Pianos ensemble, Francis Perron already has several recordings to his credit and has been heard many times on Radio-Canada, CBC and Radio-France International. He is also pursuing an active career as a pianist, both in Europe and North America. He is currently Assistant Professor at the Faculty of Music of the University of Montreal and head of the accompanying program of the same institution.

Pamela-Reimer

Pamela Reimer

Soloist and accompanist, performing current and contemporary works, Pamela Reimer studied with Tom Plaunt, Louis-Philippe Pelletier, Gyorgy Sebok, Lorraine Vaillancourt and Frederic Rzewski. She played in the UK, Scotland, New Zealand, Austria, Switzerland and across Canada and the Eastern United States. She has been heard on the BBC and CBC radio, and on Radio-Canada in Montreal and Ottawa.

As a soloist she has performed concertos by Grieg, Mendelssohn and Beethoven, Preludes and Fugues from Shostakovich, and major works by Claude Vivier (Shiraz) and Elliott Carter (Night Fantasies). Pamela offers music recitals incorporating theatrical elements, including speech and movement; she gave the first Canadian theatrical works for piano by Randall Woolf, Jerome Kitzke, Aaron Jay Kernis, Elena Kats-Chernis, Christopher Fox, Martin Bresnick, and a creation with the composer and pianist Charles-Antoine Fréchette.

In concert with Les Grands Ballets Canadiens, she played for the first Canadian of the Polyphonia ballet (in 2004 and again in 2007), with music for piano by Gyorgy Ligeti, and Rubies (2008), playing Capriccio for Piano and Orchestra by Stravinsky. In dance, she joined the percussionist Philip Hornsey to play duets by Howard Bashaw, James Harley, Nicolas Gilbert and Michael Oesterle for the choreography of Dominique Porte (Exit, 2006).

In addition to her numerous appearances with the Bradyworks Ensemble, the Blue Rider Ensemble and the Contemporary Ensemble of Montreal, Pamela worked with the Warhol Ensemble, the KORE Ensemble and in duo with percussionist Beverley Johnston. With these ensembles, she created numerous works of Canadian composers. She also worked with composer Tristan Evans to the presentation of a piece for piano and computer software Pure Data.

Accompanist appreciated by singers and instrumentalists, she was selected as accompanist for the Concours international de violon des Jeunesses musicales, the competition of the Montreal Symphony Orchestra and the summer programs at Orford Music and Domaine Forget. Pamela has also played in Les Grands Ballets Canadiens orchestra, the McGill Chamber Orchestra, the Montreal Symphony Orchestra and regularly participates to the Chamber Music Festival in Ottawa.

Louis-Dominique-Roy

Louis Dominique Roy

Louis Dominique Roy studied piano with Helmut Blume in Montreal and Harald Ossberger in Vienna. He is currently teaching at the Cégep de Saint-Laurent. His work with young singers and instrumentalists led him to perform in recital throughout Canada and in several European countries. He was the pianist of the Saint-Laurent Choir and the choirs of the Montreal Symphony Orchestra for twelve years, where he worked regularly with world famous conductors such as Kent Nagano, Charles Dutoit, Zubin Mehta, Jean-Claude Casadesus, Michel Plasson, Jacques Lacombe and Eliahu Inbal. He participated in the preparation of the Requiem by Krzysztof Penderecki during his visit in Montreal.

Inspired by the people he meets as well as some readings, he likes to compose. He is the author of many songs about Quebec texts, piano pieces and pieces of choral music.

Élise Desjardins

Élise Desjardins

Canadian pianist Elise Desjardins quickly established a solid reputation as a pianist accompanist and chamber music pianist. Here, and abroad, she collaborates with musicians such as violists Jutta Puchhammer, Steeve Dann, Bruno Giurana, the violinists David Stewart, Richard Roberts, Tom Williams, the cellists Carole Sirois, Thomas Wiebe, Paul Marley, the bassists Ali Yazdanfar, René Gosselin, the oboists Hansjorg Schellenberger, Olivier Doise, Lise Beauchamp, and the bassoonists Mathieu Harel and Michel Bettez.

Her association with Jutta Puchhammer for more than ten years has led her to tour in Europe, the United States and Canada. She is regularly invited as a chamber musician to participate in international events: International Viola Congress, Double-Reed Society, Double Bass Congress, International Festival of Domaine Forget, Summer Music in Galway. In addition, Canadian violinist David Stewart regularly invites her to perform on tour in China, Canada and Ireland.

Elise Desjardins became an accompanying professor at the Conservatoire de musique in Montreal in 1998. She has been a member of the pianist team at the Domaine Forget Academy of Music since 1999. She holds a First Prize in Piano, a First Prize in Music Chamber from the Conservatoire de musique du Québec and a Master in Music with honors from Indiana University. She is also the recipient of numerous Québec government scholarships.

The recording of two compact discs “Phantasiestucke” and “German romantic works” earned her the praise of the reviews of the Fanfares, and Scena Musicale magazines. A third album, “Pièces de Concours”, has just appeared on the Parma Records label. The scores of these pieces are published by the German house Schott, and Elise Desjardins has revised the piano part. She is often heard on the Canadian Broadcasting Corporation.

BrigittePoulin

Brigitte Poulin

Montreal pianist Brigitte Poulin is an active and accomplished soloist, chamber musician, vocal accompanist and teacher whose repertoire covers all periods from the invention to the deconstruction of the piano. A proponent of 20th and 21st century music, Brigitte has commissioned and premiered more than fifty works for solo piano, prepared piano and various chamber ensembles.

Brigitte studied at the Vienna Music Academy, the Montreal Music Conservatory, and has been a frequent guest at the Banff Centre for the Arts before obtaining a doctorate from the Université de Montréal.

She has performed in Italy, Belgium, France, Cyprus, Holland, Austria, Germany, England, USA and throughout Canada.

A founding member of Ensemble Transmission, she counts among her frequent and faithful collaborators singers Ingrid Schmithüsen and Vincent Ranallo, double bassist Ali Yazdanfar and pianist Jean Marchand.

Brigitte Poulin teaches as a part-time lecturer at both the Schulich Music School of McGill University and the Université de Montréal. She is regularly called upon to adjudicate Arts Councils grant proposals as well as Canadian Music Competitions. She is as well a member of the Summer Academy of the Domaine Forget since 2001.

Her most recent recordings include: Folklore imaginaire, music by Ana Sokolović (Naxos), Pierrot lunaire (Atma), Transmission, Attacama (Atma), My Twentieth Century (Ambiances magnétiques), R. Murray Schafer / 3 Solos (Centrediscs), and Édifices Naturels: solo piano works from Canadian composers (Dame).

BSalter

Blair Salter

Collaborative pianist Blair Salter is a versatile performer and music director who has worked at prestigious opera companies and young artist programs throughout the United States and Canada.

A graduate of San Francisco Opera’s Merola Young Artist Program and the Glimmerglass Festival, Blair will be joining the Houston Grand Opera Studio as a pianist and vocal coach for the 2017/2018 season. Her 2016/17 performance season features her return to Michigan Opera Theatre as a guest coach for the studio program.

On the recital stage, she appears in residency with the Khemia Ensemble at Michigan State University, Tufts University and the Avaloch Farms Music Institute, and with soprano Amy Petrongelli at the African American Song Alliance Conference in Irvine, California.

Blair has previously been engaged by Fall Island Vocal Arts Seminar, the CoOPERAtive program, University of Michigan opera productions, Metro Youth Opera, Halifax Summer Opera Festival, and Toronto Opera Repertoire.

She attended the University of Western Ontario for her Bachelor of Music and Master of Music degrees, and she recently completed her Doctorate of Musical Arts at the University of Michigan where she studied with Martin Katz.

Jeanie Chung

Jeanie Chung

Pianist Jeanie Chung enjoys an active and varied performing career. She has given solo recitals, concerto performances and chamber music concerts throughout North America, Central America, Europe, Asia, and Africa.

Recent and long term collaborations include projects with Barry Shiffman, Andres Diaz, Colin Carr, Rachel Mercer, Ian Swensen, Yehonatan Berick; Robert Langevin, Susan Hoeppner, Frank Morelli, Shalom Bard, YaoGuang Zhai; William Vermeulen, Michael Sachs; Alexander Dobson; Laurence Lemieux, Margie Gillis, and Ted Robinson.

Following her studies at The Glenn Gould School and The Taylor Academy for Young Artists at the Royal Conservatory of Music in Toronto, she attended the Juilliard School where she obtained Bachelor of Music, Masters of Music, and Doctor of Musical Arts degrees. Her principal teachers have been Boris Lysenko, Leon Fleisher, John Perry, and Herbert Stessin.

Chung was the recipient of the Career Development Award from the Women’s Musical Club of Toronto and numerous grants from the Canada Council and Chalmers Fund.

She has been a faculty member at The Banff Centre and is presently on faculty at the Royal Conservatory of Music’s Taylor Academy for Young Artists.

Rachael Kerr

Rachael Kerr

Pianist Rachael Kerr is the newest member of the Canadian Opera Company’s Ensemble Studio and bronze medalist in the 2015 Ziering-Conlon Art Song competition. Hailing from Chicago, where she holds a doctorate from Northwestern University, she has performed with the Chicago Chamber Musicians and as the harpsichordist for the Northwestern University Opera Theatre. In addition to serving on the music theory faculty, she was also a winner of a Farwell Trust Award in solo piano.

In Toronto, Rachael has frequently collaborated with the Toronto Symphony Orchestra as both an orchestral pianist and a rehearsal pianist, along with performances with the Beijing Symphony Orchestra, Niagara Symphony Orchestra, and the Amadeus Choir. Previously, she was the Coordinator of Collaborative Piano at Interlochen Arts Center, and a staff pianist at the International Trumpet Guild Conference and the Vianden International Music Festival in Luxembourg.

Simon Larivière

Simon Larivière

Simon Larivière is at the start of an active career as a chamber musician, soloist, teacher and collaborative pianist. He has performed in numerous concert series in Québec, including the Festival International de Lanaudière, CAMMAC Festival, Orford Music Festival, la Maison Trestler and Pro Musica’s series Les Mélodînes. He performed as a soloist with Trois-Rivières Symphony Orchestra under the baton of Maestro Jacques Lacombe, as well as with the University de Montreal Orchestra, with conductors François Bernier and Christos Kolovos.

Simon Larivière completed a doctoral degree in piano performance with pianist Jean Saulnier at the University of Montreal. He also spent one year at Geneva’s Haute École de Musique with Sylviane Deferne, as well as at the Universität für Musik und Darstellende Kunst in Vienna with Avedis Kouyoumdjian. He has distinguished himself in many competitions across Canada, including the Concours Prix d’Europe, the Canadian Music Competition, and the Trois-Rivières Symphony Orchestra competition.

Trevor Chartrand

Trevor Chartrand

Trevor Chartrand is an active collaborative pianist based out of Toronto, Ontario where he is currently working as a repetiteur for Opera 5’s production “Suffragette: Fête Galante and Boatswain’s Mate by Dame Ethel Smyth”. This is his second year with Opera 5 after having been repetiteur for 2016’s production of Johann Strauss’ Die Fledermaus. Trevor is also active internationally as he was music director in Périgueux France in the summers of 2015 and 2016 for the Franco American Vocal Academy (FAVA). Here, he was in charge of four operas including Ravel’s L’enfant et les sortilèges, and Gounod’s Mireille. In addition to being active in the operatic community, Trevor is a passionate recital performer in both vocal and chamber music.

Most recently, he performed the complete works for violin and piano by Sergei Prokofiev. He has traveled extensively around the world seeking musical endeavors from Canada and the United States, to Europe and Australia. In addition to working around the world, Trevor spent the past three years in Ann Arbor, Michigan at the University of Michigan where he obtained a Doctorate of Musical Arts (DMA) in collaborative piano under the tutelage of Professor Martin Katz. Trevor also holds an undergraduate degree in solo piano performance, and a Masters degree in collaborative piano, both from the University of Western Ontario.

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