Deadlines to apply

February 7, 2019. You will automatically be considered for a scholarship if you apply before that date and if all of the audition material has been received.

April 4, 2019. Without a scholarship, acceptances according to available places.

Successful applicants will have to pay 50% of the fees within 14 days after the reception of the acceptance letter in order to reserve their place.

The full balance must be paid before May 2, 2019. In case of cancellation, the first payment is non-refundable. The second payment can be reimbursed if the student notifies the Admission Coordinator by e-mail at admissions@orford.mu, at the latest one month (30 days) before the first day of the stay. A $50 administration fee will then be deducted from the amount.

If a medical problem beyond your control prevents you from taking part in the Orford Music Academy, your deposit may be used for the subsequent year when a medical certificate is provided. However, you will have to go through the full audition process and be accepted again. If a scholarship was granted to you, it is not transferable to the following year.


  • tuition fees;
  • room in double occupancy;
  • meals at the Orford Music cafeteria;
  • access to concerts at the Orford Music Festival, subject to availability of tickets;
  • access to the training room.

Multi-level Rates:

The rate for a one-week stay is $1 020.
The rate for a two-week stay is $970 per week.
For three weeks or more, the rate is $920 per week.

Voice and Piano Duet

Multi-level Rates:

The rate for a one-week stay is $1020.
The rate for a two-week stay is $970 per week.
For three weeks or more, the rate is $920 per week.


Baroque Music
How to Reach your Full Potential
How to Win an Audition
How to Stand Out as a Chamber Musician


If you add one week of master class, the rate will be $945.
For a stay of three weeks or more, the rate is $895 per week.


Piano Trio
Orford Winds
Contemporary Music


If you add one or more weeks of master classes:
The rate will be $920 per week.

David Stewart


Bergen Philharmonic, Concertmaster (Norway)

Violinist David Stewart has enjoyed a wide range of experience in the music profession: as frequent soloist with orchestra, recitalist, chamber musician, studio musician, baroque violinist, concertmaster, university professor (University of Ottawa and the University of Manitoba) conductor, and as 1st violin of the Quatuor Lumiere, a classical period-instrument quartet.

Presently re-engaged as First Concertmaster of the Bergen Philharmonic in Norway, he re-won his position after 20 years absence.

He has been a leader in several orchestras, starting out as assistant concertmaster of the Victoria Symphony, Concertmaster of the Manitoba Chamber Orchestra, and a mentor/apprentice position as Concertmaster of the Ottawa Symphony Orchestra. He has worked as a guest concertmaster in several orchestras including the Hanover Radio Symphony Orchestra, the Trondheim Symphony, the Norwegian Opera Orchestra, Edmonton Symphony, Vancouver Symphony, the Canadian Opera Company, and is regularly a guest concertmaster with the  Porto (Portugal) National Symphony.

His passion for excellence in orchestral playing has led to many engagements as conductor/coach for youth orchestras around the world: multi-year engagements with the Deutsch-Skandinavische Jugend Philharmonie in Berlin, the Orchestra de la Francophonie in Montreal, the Grieg  Academy in Bergen, coaching for Norges Musikk Høyskolen in Oslo, Norway, and the Copenhagen Youth Orchestra. As well, he has toured China fourteen times as conductor and soloist with student ensembles from Canada and Norway.

His teachers included Oscar Shumsky, Steven Staryk  and Camilla Wicks. David is co-founder of the Lumiere Quartet, the Agassiz Chamber Music Festival and the Norwegian Contemporary music ensemble BIT-20.

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